American films set in African countries tend to focus on white characters witnessing atrocities, and they usually treat Africa as an exotic, dangerous backdrop. And she subsequently founded a small Kampala film school, with a focus on helping young Ugandans tell their own stories in cinema. She met her Ugandan husband during that shoot. She shot part of her film Mississippi Masala there. Nair, the Indian-born, New York-based director of Monsoon Wedding and The Namesake, has worked in Kampala before. The film, based on the life of Ugandan chess prodigy Phiona Mutesi, was partially shot in the Kampala slum of Katwe, where Mutesi grew up. Mira Nair’s inspirational chess drama Queen of Katwe is remarkable in the simplest but most profound way: it’s an American film about Africa that doesn’t feel like it was made by tourists.
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